![]() ![]() ![]() Frank Baum, music and lyrics by Harold Arlen and E.Y. Glinda the good witch (a cheeky Katrina Lauren McGraw) injects the production with some real effervescence, courtesy of a toy bubble gun that showers the audience in shimmering orbs that children of all ages can’t resist trying to burst.Īnd from a parental perspective, watching my tween act like a toddler was worth the price of admission. Still there’s something about unabashed silliness that’s hard to resist. Any online casino will offer bettors real money gambling options on a range of games including casino table games, slots, sports betting sites and poker rooms. Vegas World is a real RPG and provides the deepest and most satisfying casino experience in the app store. The pacing is too pokey to accommodate the “Jitterbug” number in the second act. 810 Yonkers Ave, Yonkers, NY 10704-2099, USA. ![]() While the audience is frequently invited to participate in the action, by yelling boo or wildly waving a yellow napkin, the playfulness often feels less than infectious. In other moments, however, the humans feel a little eclipsed by the shtick. Review: ‘Tina Turner’ musical captures fierce spirit of iconic singer The real ingenuity here is delivered by David Zinn’s over-the-top scenic and costume elements, which often upstage the beloved characters, and even the classic Harold Arlen and E.Y. It features a scene where the Scarecrow inexplicably has a revolver firearm. Frank Baum and produced by Metro-Goldwyn-Mayer. Toto is a pink puppet pooch and the guard to Emerald City (El Beh) is sporting a fabulous green sequin mermaid-style gown under the old uniform. The Wizard of Oz is a 1939 musical/fantasy/comedy film adapted from the 1900 novel, The Wonderful Wizard of Oz by L. The Wicked Witch of the West (Courtney Walsh) is a corporate lawyer-type in a blue suit. The Scarecrow (Danny Scheie) is a crocheted Raggedy Ann-style moppet. The Wizard of Oz stars Judy Garland, Frank Morgan, Ray Bulger, Bert Lahr, Jack Haley, Billie Burke and Margaret Hamilton and, after three quarters. In this Oz revamp, the girl in the blue gingham dress is transformed into a kiddo (Chanel Tilghman) in a Batman T-shirt and a hoodie. In the middle of the adventure, things tend to sag, particularly for some of the little ones in the audience. That heartwarming subtext and a whimsy-on-steroids vibe elevates this production, particularly at the beginning and end of Dorothy’s journey. Welcome to Oz, this ACT production seems to say, no matter who you are, you will be celebrated here. Director and choreographer Sam Pinkleton’s wonderfully wacky “Wizard of Oz” is steeped in an ingenious mix of high camp and low-tech that revels in a distinctly San Francisco sense of aesthetics.Ĭertainly the staging’s gender fluidity is a nice wink to the culture wars raging across the country. ![]()
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